Pigment and Binder Concentrations in Modern Paint Samples Determined by IR and Raman Spectroscopy

Raman spectroscopy of green minerals and reaction products with an application in Cultural Heritage research

(2016) A. Coccato et al.   JOURNAL OF RAMAN SPECTROSCOPY

Influence of phthalocyanine pigments on the photo-degradation of alkyd artists' paints under different conditions of artificial solar radiation

(2016) Marta Anghelone et al.   POLYMER DEGRADATION AND STABILITY

Estimation of semiconductor-like pigment concentrations in paint mixtures and their differentiation from paint layers using first-derivative reflectance spectra

(2016) Anuradha R. Pallipurath et al.   TALANTA

ATR-FTIR spectroscopy and quantitative multivariate analysis of paints and coating materials

(2014) Philippa Alice Hayes et al.   SPECTROCHIMICA ACTA PART A-MOLECULAR AND BIOMOLECULAR SPECTROSCOPY

SR-FTIR imaging of the altered cadmium sulfide yellow paints in Henri Matisse's Le Bonheur de vivre (1905–6) – examination of visually distinct degradation regions

(2013) Jennifer Mass et al.   ANALYST

An integrated spectroscopic approach for the non-invasive study of modern art materials and techniques

(2010) F. Rosi et al.   APPLIED PHYSICS A-MATERIALS SCIENCE & PROCESSING

ATR-FT-IR spectroscopy in the region of 500–230cm−1 for identification of inorganic red pigments

(2009) Signe Vahur et al.   SPECTROCHIMICA ACTA PART A-MOLECULAR AND BIOMOLECULAR SPECTROSCOPY

ATR-FT-IR spectroscopy in the region of 550–230cm−1 for identification of inorganic pigments

(2009) Signe Vahur et al.   SPECTROCHIMICA ACTA PART A-MOLECULAR AND BIOMOLECULAR SPECTROSCOPY

Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy

(2008) I. Osticioli et al.   SPECTROCHIMICA ACTA PART A-MOLECULAR AND BIOMOLECULAR SPECTROSCOPY