Artificial orpiment, a new pigment in Rembrandt’s palette

Rembrandt's ‘Saul and David’ (c. 1652): Use of multiple types of smalt evidenced by means of non-destructive imaging

(2016) K. Janssens et al.   MICROCHEMICAL JOURNAL

Neutron activation autoradiography and scanning macro-XRF of Rembrandt van Rijn’s Susanna and the Elders (Gemäldegalerie Berlin): a comparison of two methods for imaging of historical paintings with elemental contrast

(2015) Matthias Alfeld et al.   APPLIED PHYSICS A-MATERIALS SCIENCE & PROCESSING

Tracking the transformation and transport of arsenic sulfide pigments in paints: synchrotron-based X-ray micro-analyses

(2015) Katrien Keune et al.   JOURNAL OF ANALYTICAL ATOMIC SPECTROMETRY

Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus

(2015) Matthias Alfeld et al.   JOURNAL OF ANALYTICAL ATOMIC SPECTROMETRY

Identification of artificial orpiment in the interior decorations of the Japanese tower in Laeken, Brussels, Belgium

(2015) Marc Vermeulen et al.   Heritage Science

A mobile instrument for in situ scanning macro-XRF investigation of historical paintings

(2013) Matthias Alfeld et al.   JOURNAL OF ANALYTICAL ATOMIC SPECTROMETRY

Portable X-ray powder diffractometer for the analysis of art and archaeological materials

(2011) Izumi Nakai et al.   APPLIED PHYSICS A-MATERIALS SCIENCE & PROCESSING

Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings

(2011) Matthias Alfeld et al.   JOURNAL OF ANALYTICAL ATOMIC SPECTROMETRY