Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis
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Title
Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis
Authors
Keywords
Reflectance imaging spectroscopy, X-ray fluorescence imaging spectroscopy, MA-XRF, Pigment mapping, Rembrandt, Painting technique
Journal
Heritage Science
Volume 6, Issue 1, Pages -
Publisher
Springer Nature America, Inc
Online
2018-08-02
DOI
10.1186/s40494-018-0212-3
References
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Note: Only part of the references are listed.- Recent developments in spectroscopic imaging techniques for historical paintings - A review
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- Visible and infrared imaging spectroscopy of paintings and improved reflectography
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- Neutron activation autoradiography and scanning macro-XRF of Rembrandt van Rijn’s Susanna and the Elders (Gemäldegalerie Berlin): a comparison of two methods for imaging of historical paintings with elemental contrast
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- Complementary Standoff Chemical Imaging to Map and Identify Artist Materials in an Early Italian Renaissance Panel Painting
- (2014) Kathryn A. Dooley et al. ANGEWANDTE CHEMIE-INTERNATIONAL EDITION
- Examination of historical paintings by state-of-the-art hyperspectral imaging methods: from scanning infra-red spectroscopy to computed X-ray laminography
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- Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ
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- Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping
- (2008) Joris Dik et al. ANALYTICAL CHEMISTRY
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