Beyond Intensity: Spectral Features Effectively Predict Music-Induced Subjective Arousal

Quality and loudness judgments for music subjected to compression limiting

(2012) Naomi B. H. Croghan et al.   JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA

Music and movement share a dynamic structure that supports universal expressions of emotion

(2012) B. Sievers et al.   PROCEEDINGS OF THE NATIONAL ACADEMY OF SCIENCES OF THE UNITED STATES OF AMERICA

Loudness Assessment of Musical Tones Equalized in A-weighted Level

(2011) Despina Klonari et al.   Archives of Acoustics

Perception of emotional expression in musical performance.

(2011) Anjali Bhatara et al.   JOURNAL OF EXPERIMENTAL PSYCHOLOGY-HUMAN PERCEPTION AND PERFORMANCE

Are the Emotions Expressed in Music Genre-specific? An Audio-based Evaluation of Datasets Spanning Classical, Film, Pop and Mixed Genres

(2011) Tuomas Eerola   JOURNAL OF NEW MUSIC RESEARCH

Acoustic Intensity Causes Perceived Changes in Arousal Levels in Music: An Experimental Investigation

(2011) Roger T. Dean et al.   PLoS One

Categorization of Extremely Brief Auditory Stimuli: Domain-Specific or Domain-General Processes?

(2011) Emmanuel Bigand et al.   PLoS One

Comparison of loudness models for time-varying sounds

(2010) Jan Rennies et al.   ACTA ACUSTICA UNITED WITH ACUSTICA

Understanding compression: Modeling the effects of dynamic-range compression in hearing aids

(2010) James M. Kates   INTERNATIONAL JOURNAL OF AUDIOLOGY

Universal Recognition of Three Basic Emotions in Music

(2009) Thomas Fritz et al.   CURRENT BIOLOGY

Listeners Discern Affective Variation in Computer-Generated Musical Sounds

(2009) Freya Bailes et al.   PERCEPTION

It's not what you play, it's how you play it: Timbre affects perception of emotion in music

(2009) Julia C. Hailstone et al.   QUARTERLY JOURNAL OF EXPERIMENTAL PSYCHOLOGY

Modulation of the startle reflex by pleasant and unpleasant music

(2008) Mathieu Roy et al.   INTERNATIONAL JOURNAL OF PSYCHOPHYSIOLOGY