The Characterization of the Materials Used by Gino Severini in his 20th C Wall Paintings at Semsales in Switzerland

Gino Severini in Switzerland: A Technical Study of the Wall Paintings of Saint Nicolas de Myre in Semsales

(2021) Paola Iazurlo et al.   STUDIES IN CONSERVATION

Microscopic Analysis of Wall Painting Techniques: Laboratory Replicas and Romanesque Case Studies in Southern Switzerland

(2018) Lucia Regazzoni et al.   STUDIES IN CONSERVATION

Reflectance imaging spectroscopy and synchrotron radiation X-ray fluorescence mapping used in a technical study of The Blue Room by Pablo Picasso

(2017) Patricia A. Favero et al.   Heritage Science

Visible-induced luminescence imaging: A user-friendly method based on a system of interchangeable and tunable LED light sources

(2016) A. Daveri et al.   MICROCHEMICAL JOURNAL

Interpretation of mid and near-infrared reflection properties of synthetic polymer paints for the non-invasive assessment of binding media in twentieth-century pictorial artworks

(2016) Francesca Rosi et al.   MICROCHEMICAL JOURNAL

UV–Vis-NIR and micro Raman spectroscopies for the non destructive identification of Cd 1−x Zn x S solid solutions in cadmium yellow pigments

(2016) Francesca Rosi et al.   MICROCHEMICAL JOURNAL

Disclosing Jackson Pollock’s palette in Alchemy (1947) by non-invasive spectroscopies

(2016) F. Rosi et al.   Heritage Science

Piet Mondrian’s Broadway Boogie Woogie: non invasive analysis using macro X-ray fluorescence mapping (MA-XRF) and multivariate curve resolution-alternating least square (MCR-ALS)

(2016) Ana Martins et al.   Heritage Science

Multi-analytical non-invasive study of modern yellow paints from postwar Italian paintings from the International Gallery of Modern Art Cà Pesaro, Venice

(2015) Francesca Caterina Izzo et al.   X-RAY SPECTROMETRY

Early Viridian Pigment Composition CHARACTERIZATION OF A (HYDRATED) CHROMIUM OXIDE BORATE PIGMENT

(2014) Stefan Zumbuehl et al.   STUDIES IN CONSERVATION

Identification of pigments by multispectral imaging; a flowchart method

(2014) Antonino Cosentino   Heritage Science

Non-invasive identification of metal-oxalate complexes on polychrome artwork surfaces by reflection mid-infrared spectroscopy

(2013) Letizia Monico et al.   SPECTROCHIMICA ACTA PART A-MOLECULAR AND BIOMOLECULAR SPECTROSCOPY

Spectroscopic, morphological and chemical characterization of historic pigments based on carbon. Paths for the identification of an artistic pigment

(2011) E. Tomasini et al.   MICROCHEMICAL JOURNAL

Non-invasive identification of organic materials in wall paintings by fiber optic reflectance infrared spectroscopy: a statistical multivariate approach

(2009) F. Rosi et al.   ANALYTICAL AND BIOANALYTICAL CHEMISTRY

FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings

(2009) M. Vagnini et al.   ANALYTICAL AND BIOANALYTICAL CHEMISTRY

Correction of Ultraviolet-Induced Fluorescence Spectra for the Examination of Polychromy

(2009) Giovanni Verri et al.   APPLIED SPECTROSCOPY

Raman spectroscopy of synthetic organic pigments used in 20th century works of art

(2008) Franziska Schulte et al.   JOURNAL OF RAMAN SPECTROSCOPY

Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection

(2008) Nadim C. Scherrer et al.   SPECTROCHIMICA ACTA PART A-MOLECULAR AND BIOMOLECULAR SPECTROSCOPY