期刊
OPTICS AND SPECTROSCOPY
卷 123, 期 6, 页码 965-969出版社
MAIK NAUKA/INTERPERIODICA/SPRINGER
DOI: 10.1134/S0030400X17120128
关键词
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Using the method of Raman spectroscopy the pigment composition is investigated of, and the brushwork technique used in, the original layer of a 19th century painting is established. It is an overdoor worked, presumably, by Antoine Jean-Etienne Faivre. It is established that the artist used the following pigments: cinnabar and dyes on the basis of goethite and hematite (for red, yellow-orange, and brown shades), ultramarine and Prussian blue (for blue shades), and Emerald green and a mixture of blue and yellow shades (to obtain a green color). It is determined that white lead was used a primer.
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