Evidence of early amorphous arsenic sulfide production and use in Edo period Japanese woodblock prints by Hokusai and Kunisada

Developing a systematic approach to determine the sequence of impressions of Japanese woodblock prints: the case of Hokusai’s ‘Red Fuji’

(2019) Capucine F. Korenberg et al.   Heritage Science

The evolution of the materials used in the yun technique for the decoration of Burmese objects: lacquer, binding media and pigments

(2019) Diego Tamburini et al.   Heritage Science

Identification by Raman spectroscopy of pararealgar as a starting material in the synthesis of amorphous arsenic sulfide pigments

(2018) Marc Vermeulen et al.   DYES AND PIGMENTS

Raman spectroscopy of the photosensitive pigment Prussian blue

(2018) Giulia Moretti et al.   JOURNAL OF RAMAN SPECTROSCOPY

Red and blue colours on 18th–19th century Japanese woodblock prints: In situ analyses by spectrofluorimetry and complementary non-invasive spectroscopic methods

(2018) A. Mounier et al.   MICROCHEMICAL JOURNAL

A timeline for the introduction of synthetic dyestuffs in Japan during the late Edo and Meiji periods

(2018) Anna Cesaratto et al.   Heritage Science

Natural and synthetic arsenic sulfide pigments in Japanese woodblock prints of the late Edo period

(2018) Stephanie Zaleski et al.   Heritage Science

Probing some organic ukiyo-e Japanese pigments and mixtures using non-invasive and mobile infrared spectroscopies

(2018) Carole Biron et al.   ANALYTICAL AND BIOANALYTICAL CHEMISTRY

Study of dry‐ and wet‐process amorphous arsenic sulfides: Synthesis, Raman reference spectra, and identification in historical art materials

(2018) Marc Vermeulen et al.   JOURNAL OF RAMAN SPECTROSCOPY

Artificial orpiment, a new pigment in Rembrandt’s palette

(2017) Annelies van Loon et al.   Heritage Science

Visualization of As(iii) and As(v) distributions in degraded paint micro-samples from Baroque- and Rococo-era paintings

(2016) Marc Vermeulen et al.   JOURNAL OF ANALYTICAL ATOMIC SPECTROMETRY

Synthetic arsenic sulfides in Japanese prints of the Meiji period

(2016) Yanbing Luo et al.   Heritage Science

Identification of artificial orpiment in the interior decorations of the Japanese tower in Laeken, Brussels, Belgium

(2015) Marc Vermeulen et al.   Heritage Science

A Technical Analysis of Three Paintings Attributed to Jackson Pollock

(2014) Narayan Khandekar et al.   STUDIES IN CONSERVATION